Covid19

Santa Barbara to Palm Springs: A House, A Cemetery, and Murals

Mural, Coachella, California

I left Santa Barbara on Thursday, heading for the places I’d lived as a child, not exactly intentionally but because those places were on my path anyway. My first stop was more of a drive-by. After buying gas in Pasadena, I made a 2-mile detour south to San Marino, where I lived as a teenager. Rich, conservative San Marino was an unlikely place for us, neither rich nor conservative, but we survived the John Birch Society, the cops who trolled the likes of us in Lacey Park, and being the only family without a gardener.

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A Little Art From My Friends

In 1980, an aging Yemeni woman living in a Palestinian village was involuntarily relocated to a bland immigrant camp. She was an artist and felt stifled by the white walls of her new house, so she bought cans of paint and, over several years, covered her white walls with the rich motifs of Yemei embroidery. https://www.atlasobscura.com/articles/afias-house-shlomi-israel Her project got her through a difficult time, and it is wondrous.

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My Pandemic Trip to Louisiana

Painting by my favorite Louisiana artist, Clementine Hunter. 1886-1988.

In the past six months, I have been operating at about 30% capacity. Yes, I have tried volunteering and writing and baking. I hike a lot and keep in touch with friends and family. I remind myself how good my life is, but my feelings ignore my thoughts. At this time of my life, I need new places and people and ideas. I need instability.

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The Crack in Everything

Stock photo

Last week, I nearly had a melt down when the formatting in my 286 blog postings unexpectedly disappeared. This relatively trivial problem triggered something that kept me up all night questioning the meaning of life. What am I doing here? Why? Who cares? This is not my usual thing. Even while it was happening, I knew my existential angst was not about formatting.

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