Dress Code

Grand Street Brides, Grace Hartigan, 1954

Art records, glorifies, questions and, at its best, sends us somewhere deep inside ourselves. Researching nudes, https://kimmie53.com/2020/07/09/what-naked-women-can-tell-us-about-us/#more-14968 I was surprised at how one type of painting could reveal so much about sexual politics, changing artistic styles, and my own prejudices. I wondered what I might find if I researched paintings of women who are not nude.

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How Is This Not Domestic Terrorism?

 

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Photo by CNN.com

The US Federal Bureau of Investigation defines domestic terrorism as “the unlawful use, or threatened use, of force or violence by a group or individual based and operating entirely within the United States or Puerto Rico without foreign direction committed against persons or property to intimidate or coerce a government, the civilian population, or any segment thereof in furtherance of political or social objectives.”

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California Poster Child

Hannah Wichrowski, 2017

Posters are everybody’s art. They gained popularity in the mid-19th century and took off by the end of the 19th century. They announce events, advertise products, or provide information about matters of public interest. The most familiar are those that were designed to advertise absinthe or draw you into a cafe or encourage you to support the war effort.

Some go a little further to tell important stories, envision the future, or present exceptional artistry. Some of the best examples I found all happen to be a part of California history. Except one.

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Vive La Revolution

The Revolution, Marc Chagall, 1937.

Happy Bastille Day 🙂 a reminder of the 1789 rebellion staged at the infamous prison, which entered in the French Revolution and ended the French monarchy. France’s path to freedom from tyranny wasn’t easy — the guillotine, the Reign of Terror, Napoleon, financial collapse — but the French eventually got democracy, and now we can celebrate with mussels meuniere and tarte tatin.

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What Naked Women Can Tell Us About Us

Reclining Nude, Jean-Frederick Bazille. Musee Fabre, France.

While I am imagining the thrill of visiting a museum again, I decided to investigate my museum-induced sense that there is a theme in paintings of female nudes. I love nudes, partly because they provide clues about the ways society has viewed women over time. Anyway, during my museum days, I noticed that some paintings of nudes reminded me of other paintings of nudes, no matter when or where they were painted — in particular, paintings of “reclining nudes.”

It turns out that a single painting inspired 500 years of artistry.

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